We all love horror entertainment. But we don’t all love the same type of horror. For me, true horror is an evocation of the unknown, a cold finger on the spine that suggests malignant forces just out of range that can be revealed via ritual or stupidity, devastating all that is good and safe. The Exorcist is among the greatest horror movies because it does this so effectively, using traditions and superstitions that have been around as long as mankind. It has the weight of the church behind it, whether or not we’re Catholic.
Never saw Exorcist II. It doesn’t have a good reputation. But Exorcist III, ah, Exorcist III, written and directed by William Peter Blatty, is on a par with the first. Don’t believe me just watch. The Japanese excel at cinematic horror. Even the American version of The Ring resonates. The Changeling (1980) will raise hackles, not for any danger to the protagonist (George C. Scott,) but in its ability to evoke supernatural fear.
We love such entertainment because it satisfies an atavistic yearning to believe in something greater than ourselves, even if it’s terrible. And when the lights go up or you finish the book, you’re back safe and warm in your familiar world. Lovecraft resonates because he so effectively delineated another world lurking beyond the veil. Lovecraft’s descriptions are necessarily vague. We can’t really understand the worlds he describes, it’s enough that we believe. Stephen King has touched the spine many times, no better than in The Shining. Michael McDowell does it in The Elementals. William Hope Hodgson’s The House on the Borderland. And of course Bram Stoker and Mary Shelley. This yearning to believe is as old as man, as old as ancient cave drawings of Quezacoatl.
The most effective horror is supernatural. Torture porn has its fans, but precious few horror movies that don’t rely on the supernatural truly resonate. Silence of the Lambs comes to mind. Movies like Don’t Breath, Saw, or Hostel are not supernatural horror, they are sadistic psychological thrillers.
I’ve written three horror novels. Publishers Weekly gave Banshees, about a satanic rock band that comes back from the dead, a starred review. https://www.publishersweekly.com/978-1-61475-394-0
Skorpio is about a ghost who only appears under a blazing sun. Domain is a haunted house story set in Los Angeles.