I have known and worked with many amazing artists, but there are a handful with whom I’ve never worked. I have wanted to work with them, and I have offered work to them. Although they say they want to succeed, I wonder if that’s true. When I moved to Colorado I met Jerry. Jerry lived in the Boulder area and had published two copies of his own comic, Obelisks. Jerry’s work was highly stylized in the manner of Mike Ploog, and fantastic. For the next several years I presented Jerry with proposal after proposal which we would co-create and co-own and while he continuously professed his desire to get back into comics, he never drew anything.
An artist friend of mine lives in small town Wisconsin. He has always been a fantastic artist with an ability to blend Drew Friedman-accurate portraits with bizarre graphics. Self-taught, his sketch technique resembles that of Ivan Albright and he has done several stunning album covers for local blues artists. Sherman has often expressed interest in collaborating with me but has never followed up on a single proposal. He doesn’t return phone calls or e-mail. He works hard at his art, but doesn’t push it beyond his web and Facebook pages. This guy has huge crossover potential. He’s just not interested enough to work at it.
I have talked about Neil Spyder/Bannen Hanson here before. Neil made a conscious decision to stop drawing and concentrate on his writing. It’s not the same as saying you want to be an artist but you can’t get breaks. The breaks are out there. Some people make their own breaks. But if you don’t push your art and produce, nothing’s going to happen.
The single best way to attract industry attention is to produce your own comic. Editors will read them.