Monthly Archives: June 2019

Sons of Bitches, Mike Baron

Loathe though I am to toot my own horn, I was born in a cove in a boat in Siam. All my Biker novels are moving to Wolfpack this month, including Sons of Bitches. Sons of Bitches is about a woman who puts out a Muhammad comic, and must hire Josh to protect her. I copied the following review before my previous publisher deleted it. I wish I could name the author, but I assure you, it wasn’t me!

“Baron” His Bloody Red Heart: A Writer’s Finest Hour When a pulp novel by a true comics great transcends genre to become entirely a thing of its own, and of its moment, you have the literary equivalent of a protest song on your hands, folks. And in SONS OF BITCHES, Mike Baron really “busks” some heads. Polly Furst is a likable young comic book creator who incidentally is a lesbian with a war vet gay uncle. In Baron’s fast moving prose, with his Biker P.I. Josh Pratt now well established, we get to know Polly through her unusual career, her wit and modern girl-next-doorishness. She’s real. Baron has nothing to say about sexuality, though it is involved in the point he makes by novel’s end, a point that does for pulp thrillers what Picasso did for Mickey Mouse. Polly has invested her energies in a comic book that has caught the attention of religious extremists. She hires Josh Pratt, Baron’s reformed hood Biker who’s now a private eye with government contacts and a loyal dog remaining from a doomed love that may be an ongoing theme in the Bad Road Rising series. Pratt uses the Internet and Dark Web to help solve cases, and this never fails to be entertaining. This novel also finds Pratt in the funny position of describing his bike in page-long detail a few times. It’s a great trick; there’s a melancholy patience to this young man who’s been on both sides of the moral road. Baron builds up his fever dream with expert writerly cruelty. We care. He knows we have to, because it’s his job to make the crap hit the fan when we least expect it. As in most of his novels to date, a breezy chapter can end in shock. It might just as easily end in an amusing story stalemate. I noticed as far back as 1983 that Baron likes only one thing better than surprise, in his work: having the ability and desire for an originality that guarantees his penchant for surprises stays surprising. So Pratt helps Polly hide out with her uncle and finds an ally in a Dark Web user who may turn out to be a bit of a sidekick to our hero in the future. On that, I await a surprise. The bad guys threaten Polly’s life, try to sabotage her book signings, interfere with her career. She presses on, ignoring Pratt’s concerns as much as possible. Polly is young and broad-minded in a free country. As an atheist, she is happy to satirize religion. A reader is well aware a Polly Furst would scream bloody murder if anyone dared criticize her sexual orientation. Pratt just wants to help and make a buck to buy breakfast biscuits with. He’s no philosopher, because so much of what people ruminate about in life is obvious, or irrelevant, to him. He gives in to lust at one point, gets drugged and things seem OK. “Seems OK” is a way of describing the clear message unfolding. Pratt’s lust interest has ties with a radical group holed up on the land of a sick old man who obviously could forgive the Devil for starting fires. Pratt and friends scope out the place, as the hands of government and law enforcement are tied by the rights of the freedom-hating visitors to our land, who, while plotting the destruction of our way of life, are enjoying it like sailors on leave. Baron surely chuckled writing of their secret perversity, no surprise to Pratt or to this reader. It’s your call on that, fellow readers. After the run-ins with villains, including an articulate man who’s almost apologetic about the demands of his faith, Baron hits his story and us with a meteor. Pratt gears up, though he can’t legally own a firearm. Abusers of freedom have turned freedom on itself, because of threats overlooked through cultural sensitivity. Sometimes freedom is like justice: a tragic tumble of dice. Readers should approach this book through an emotional lens, because Baron is not among the media figures screaming their opinions in what used to be called entertainment. This book is like life. It happens. You get to think about it. You get to hum along to some great Protest Song lyrics.

The Northwest Passage, by Mike Baron


Like many modern communities, Fort Collins has built some excellent bike trails. I can ride from my house all the way downtown, up Spring Creek Trail, which follows the creek, through Roland Moore Park, past the little free library box behind the firehouse, to Spring Canyon Park, then back through the Cathy Fromme Prairie. I always count horses as I ride. People keep horses in Fort Collins like dogs. You can walk to several horse properties from my house, and no one would call my neighborhood rural.

The other day I counted fifteen horses. Perhaps ten per cent of this trail is on public streets, none of which are crowded.

Fort Collins recently completed a new trail on the east side that goes south through Loveland and ostensibly hooks up with the North Trail coming up the West Side, so that in theory, I could complete the loop with very little time spent on actual streets. The grail shoots through prairies adjacent to upscale neighborhoods with beautiful houses and corrals. A sub trail, which I have yet to take, goes down to Boyd Lake and follows the waterfront until it spits you out at the north end of Loveland.

I headed west on the concrete trail as it cut between pastures in which horses grazed. It passes a prairie dog town where curious prairie dogs pop up out of their holes and whisper enticingly, “Do you want the bubonic plague? Kiss me!”

The trail wound past a trailer park. Most of these trails wind past trailer parks at one point or another. I think they’re easy to wind past. It went under Highway 287, came out by the Loveland Walmart and promised to connect with the North Trail via dogleg. I rode and I rode. I rode through freshly minted neighborhoods backed up against open space and the railroad line. But I could not find the Northwest Passage. I rode home the same way. I counted ten horses. I went online and looked at the Loveland bike trails and there it was, a tiny little portion of red dots, not the solid red line that indicates finished trail. It’s there. I just have to portage my bike.

Burroughs, by Mike Baron


Saw the Burroughs last night in Old Town Square. Probably have seen them more than any other band. The Burroughs are an eleven piece soul band from Greeley with a four man horn section. They blew everybody out of the water. Lead singer Johnny Burroughs’ transition to Cab Calloway by way of Kid Creole is now complete. He wears the hat. He’s got the moves. He’s a pale ginger James Brown with an enormous voice. The latest lineup featured a few surprises, notably drummer Mary Claxton adding her hair-raising voice like the devil at the crossroads, and the new keyboard player, another enormous voice.

Hayden Farr’s baritone cuts like a foghorn. Briana Harris’ alto dances like Sonny Criss.

In addition to Burroughs’ standards such as “Solid Gold” and “Get Down On It,” they sang a hair-raising version of “Jolene,” and “With A Little Help From My Friends.”