Monthly Archives: February 2017

This Writing Life by Mike Baron

THIS WRITIN’ LIFE

I read on Facebook, “Quit writing a few months ago, started novel two weeks ago and wrote three chapters, scrapped novel last week after starting fourth chapter, sitting here now with fourth chapter open again and contemplating getting back to it.
Yes, I am very confused!!!”

“Five thousand words today! I’m on fire!”

“I need the name of a really heinous villain for my Demon Knight Trilogy.”

“Chapter 33 took way too long to draft, but I finally wrapped it up last night.”

People are blabbin’. Blabbin’ and babblin’. Do not blab. Do not babble. Start with character notes in a notebook. Know your characters and their motivations. Proceed to a highly detailed outline that should read like all the good parts in a John Wick trailer. The outline itself should entice and excite the reader. You need to grab him, her, its, or xe’s attention by the throat and drag him, her, it or xe through the story like the Johnstown Flood.

Sam Fuller said, “If a story doesn’t give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.”

“We want a story that starts out with an earthquake and works its way up to a climax.” –Samuel Goldwyn

Don’t let people see the process unless they ask. What’s the first rule of Write Club?

Pop Geek Heaven by Mike Baron

POP GEEK HEAVEN CALLS IT QUITS

I first learned of Not Lame Records in Madison, WI, when I stumbled across their website. The brainchild of Bruce Brodeen, Not Lame was a power pop clearing house and label that released over a hundred albums of original music, many of them brilliant. Bands included The Shazam, The Deal, Hawks, The Rooks, Sun Sawed in ½, Myracle Brah, and many others. Powerpopaholic called them “The World’s Greatest Record Label,” and a case can be made.

I was such a devotee, I moved to Fort Collins to pick up my records in person. But Bruce could never make a go of it. There just weren’t enough power poppers to make it successful. The music industry has been in free-fall since the advent of the Internet. They don’t know whether to shit or go blind. Bruce hung it up in 2010, concentrating his power pop efforts on his website, www.popgeekheaven.com, for which I wrote. I love power pop and have sung its praises from every platform. Unfortunately, Bruce has too much on his plate right now to devote any more time to popgeekheaven, and so another one bites the dust.

Every year I say it, and every year it’s true. This is one of the greatest years for power pop in history. But you’d never know it following the dinosaur press, rags such as Rolling Stone, Spin, Under the Radar, et al, that are mostly dedicated to legacy acts, and rarely, if ever, cover the burgeoning underground power pop scene. This year will see releases by The Foreign Films, Duncan Maitland, and The Blood Rush Hour among others. These bands are beyond great. They are timeless.

What is power pop? It’s rhythmically driving, dynamic rock with bridges, hooks and soaring harmonies. It’s the Beatles, the Beach Boys, Big Star, Raspberries, Cheap Trick, Marshall Crenshaw, Fountains of Wayne, Sloan, XTC, the Police and a thousand other bands.

Now where will people go to keep up on the latest power pop? I recommend www.powerpopaholic.com, which has links to many other outstanding power pop sites. You support independent comics. Support independent bands.