THIS WRITIN’ LIFE
I read on Facebook, “Quit writing a few months ago, started novel two weeks ago and wrote three chapters, scrapped novel last week after starting fourth chapter, sitting here now with fourth chapter open again and contemplating getting back to it.
Yes, I am very confused!!!”
“Five thousand words today! I’m on fire!”
“I need the name of a really heinous villain for my Demon Knight Trilogy.”
“Chapter 33 took way too long to draft, but I finally wrapped it up last night.”
People are blabbin’. Blabbin’ and babblin’. Do not blab. Do not babble. Start with character notes in a notebook. Know your characters and their motivations. Proceed to a highly detailed outline that should read like all the good parts in a John Wick trailer. The outline itself should entice and excite the reader. You need to grab him, her, its, or xe’s attention by the throat and drag him, her, it or xe through the story like the Johnstown Flood.
Sam Fuller said, “If a story doesn’t give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.”
“We want a story that starts out with an earthquake and works its way up to a climax.” –Samuel Goldwyn
Don’t let people see the process unless they ask. What’s the first rule of Write Club?
THE MEANING OF LIFE
What is the meaning of life? It’s up to each of us to find our own meeting. God wants you to be happy. Gaia wants you to be happy. Even Dogdrbek wants you to be happy. Crom doesn’t care. So what makes you happy? Many people find meaning in their work and in their relationships. Good stuff! Many people find meaning in their favorite stories. Has a movie ever been greeted with greater anticipation than Rogue 1? Those of us on Facebook, particularly in comics, movies, or pop music, find just as much meaning in the enjoyment we derive from our favorite stories or music, as any devoted Buddhist Monk does from serenity.
Some people find the most meaning in pop culture. More than in their personal relationships or work. That’s fine, because enthusiasm drives life. We need our enthusiasms. Miles Davis said, and demonstrated, that music was the most important thing in his life. He may have left a trail of wreckage in his personal life, but he also gave meaning to millions of others. Sixty years ago, many young people found meaning in the Beatles. I knew a woman whose father was very old.
“He’s just hanging on so he can finish The Clan of the Cave Bear saga,” she told me.
Not to compare the Beatles to Mother Theresa, or the Little Sisters of the Poor. But just because you are more excited about the next James Bond movie than saving the starving masses doesn’t make you a bad person. It makes you human.
I know some wonderful people who are completely divorced from pop culture. They don’t watch television or movies, they don’t read fiction or comics, and they don’t listen to pop music. Sometimes they get depressed. These are people in good health with no financial reasons. Perhaps you could call it existential angst. I’m not saying becoming a Batman fan is going to save your life, but enthusiasms give meaning to life. As John Mellencamp said, “You’ve got to stand for something or you’ll fall for anything.” As Graham Parker said, “Passion is no ordinary word.”
WHEN MICE ATTACK
Mice are invading our kitchen. When Old Bob was around, this never happened. Old Bob would catch those mice and kill them. New Bob has no such skills. New Bob is primarily interested in barking, playing, tracking mud into the living room, and modeling different hats. Of Mack, the ostensible Boston pug/terrier mix, the less said the better. She is worthless! She is the Loudest Dog That Ever Lived!
As soon as the weather turned cold, the first mouse crept into the house. Ann alerted me when she saw mouse turds on the counter. I thought they were caraway seeds. I set two traps baited with peanut butter. This was an especially cunning and ruthless mouse, and when I checked in the morning, it had successfully consumed the peanut butter without setting off the traps. I reloaded the traps with lutefisk and the following morning, the miscreant lay with its neck snapped. Good! Finito! Done!
The following day, more mouse turds, including in the silverware drawer. Ann put everything through the dishwasher and I set more traps. The mouse eluded us for two more days but then one morning I went downstairs and there it lay in a pool of its own blood. I removed the corpus delicti, disinfected the counter, and lectured the dogs.
Now we are plagued by a new mouse, a super mouse, an ubermaus, if you will. The traps are set, the video cameras are rolling. Christmas Eve we are watching Willard.
Dear TSA: I am a sixty-seven year old writer from Fort Collins. On 9/2, I flew from Denver to Atlanta. Agents pulled me aside after passing through the metal detector and with my permission, stuck their hands down my waist and patted every part of my body. They waved me through. Then another TSA agent, Mark Broeren, pulled me aside and went through my luggage, pulling out every item of clothing. They took out my toiletry kit and handled my toothbrush, razor, and pills. Agent Broeren took me into a private room. I unslung my suspenders and was about to drop my trousers. Agent Broeren said, “Stop! You do that and I’m going to have to call some other guys in here and then it becomes a whole other deal.” I took this as it was intended, a threat for unlawful detention. In the absence of any threat or illegality. I said nothing. Agent Broeren felt every part of my body including the soles of my feet. When he was finished he said was free to go. He never explained why I’d been subjected to his scrutiny and he did not apologize.
LIFE ON TWO WHEELS
Young men want to go fast. I couldn’t wait to get my first motorcycle. I was so eager to ride I pulled Chuck Roberts off his mini-bike as he roared by on a dirt road in Mitchell, SD. Chuck, I hope you have forgiven me. My first motorcycle was a Honda 90. Oh, what a powerful machine! It almost went sixty downhill! In Mitchell, there was only one cycle dealer, a guy who sold Hondas out of his garage. When Honda introduced the massive, world-crushing 450, we could not conceive of such an enormous machine! It looked like Shamu, the killer whale!
I no longer desire to go fast. For those who wonder why we ride, I can only say it is a sublime experience. Watch Easy Rider. Many years later, my next motorcycle was a Honda Hawk 400. Oh, what a powerful machine! I swapped out the mini-apehangers for a flat bar that made a huge difference. Then I co-owned a Honda 400 Supersport (the four cylinder engine) with a girlfriend. When I sold Nexus, I got a Kawasaki Gpz 550, the ne plus ultra back in the day. Because of federal regulations, the speedo only went to 80. I had the Kawi over a hundred numerous times, but I never knew how fast I was going because of that federal speedometer. Many years later I sold the Kawi and got a Honda Hawk 650, a water-cooled vee-twin. I wish I still had it.
Then I got a Shadow 750, which I am still riding, and a 1979 CB650 given to me my Tom Delaney on my 65th birthday. My friend Kim, who is smaller than I, rides a Valkyrie. Once he dropped it in gravel and it took two of us to pick it up. A couple months ago we went to Fort Collins Motor Sports to test ride the new Indian Scout. The Scout is the greatest motorcycle ever made. If you ride, you will agree. We were both ready to deal until the manager informed us that virtually every motorcycle they sold involved a two thousand dollar “set-up and documents fee.” I understand that dealers have to put the bikes together and that a set-up fee is legitimate. But two gees? The Shadow Sixty, supposed to retail for nine thou, became eleven thou. The regular Scout, which is supposed to retail for eleven, became thirteen.
Pox upon thee, Fort Collins Motor Sports!
I will continue to ride my miniscule motorcycles and enjoy the experience, which is not so much what you ride, but the ride itself.
THE MOHS OSTENTATIENNE OPERA SEDAN
One day Roger and I were out biking through the rolling hills of southern Wisconsin when we came upon a long, low industrial building yclept Mohs Motors. We pulled over to check it out. Bruce Mohs, who was then in his sixties, came out to meet us and offered to show us around. Inside the long low building sat his masterpiece, the Mohs Ostentatienne Opera Sedan, an immense, grotesque automobile built on an International Harvester chassis. The only entry was through the massive, top-hinged rear door.
“The Ostentatienne was powered by an International Harvester truck engine. Entry into the car was from the rear; solid steel side rails (designed to protect passengers during a crash) prevented doors along the vehicles sides. The Ostentatienne could be ordered customized to suit its buyer’s wishes; Ming styled oriental rugs, refrigerators and sealed beam taillights were some of the options available. Production was reported to be three to four vehicles per year, only one was ever built.”
The vehicle weighed over five thousand pounds. Mohs had other inventions including the world’s longest motor-scooter, capable of seating There was also the Safarikar, finished in naugahyde. Mohs tried to sell us his book, The Amazing Mr. Mohs, but we were too stupid to bite. How I wish I’d bought that book.
The convention season is upon us, my friends. And with it, certain exhibits will use boom boxes to advertise their wares. Nobody likes them. Nobody. Not even the people who are playing them. They only serve to make conversation more difficult and to cause headaches due to that incessant, infernal throbbing, the same sound you hear when some self-obsessed asshole pulls up to you at a streetlight blasting Beasty Boys or Li’l Wayne from the giant speakers in his trunk.
My friends, don’t let this happen to you! I’m calling on each and every one of you to go up to the blasters and ask them, politely, to turn it off. I am asking con organizers to not permit this noise pollution.
Another irritation, about which we can do nothing, are the illegible public address systems the organizers use for—for what? Most of the time the distortion is so great I can’t understand a word they’re saying. It’s so loud you can’t hold a conversation while the announcer is blasting. Conventions need jumbotrons to broadcast their messages.
WATCH FOR THESE HAZARDS: Double-wide baby trams. Groups of cosplayers gathering in front of your table preventing access. The Joker. The little boy eating a jelly doughnut who likes to flip through your comics. Cosplayers with five-feet-wide costumes. Corn dogs. Funnel cakes.
THE ART OF THE INSULT
The perfect squelch. The withering put-down. The witty slander that leaves folks gasping in disbelief and delight. D.H. Lawrence on James Joyce: “Stewed-up fragments of quotation in the sauce of a would-be dirty mind.” Winston Churchill: “Unless the right honourable gentleman changes his policy and methods and moves without the slightest delay, he will be as great a curse to this country in peace as he was a squalid nuisance in time of war.” Dorothy Parker: “Their pooled emotions wouldn’t fill a teaspoon.” Mary McCarthy on Lillian Hellman: “Every word she writes is a lie including ‘and’ and ‘the.’”
High school, for me, was an unending search for the withering put-down. Like Eric Harris, I had no use for humanity and it had no use for me. Unlike Eric, I lacked that black toxin which caused him to mow down a dozen classmates before turning the gun on himself. I used to memorize what I considered witty put-downs. Many young men go through a phase where alienation causes them to judge harshly. Most of them grow out of it.
However, Facebook breaths new life into this adolescent movement. There’s something about Facebook that brings out the worst in people. They say things on Facebook they wouldn’t dream of saying to your face. You actually have to struggle to keep a thread on track without degenerating into “Fuck you!” “No! Fuck YOU!” I posted that Lady Gaga had killed it at the Superbowl, and within twenty posts it had degenerated into name-calling.
Serial insulters are witherers. Wither the witherer? The latest rage seems to be fabricating faux nineteenth century insults without the wit. “Hoofwanking bunglecunt” has a certain cachet, as does “twatwaffle” But it has no meaning. Oh insult, where is thy sting?
They will never replace the classics. “Fuck you!” “No! Fuck YOU!”
My friends, I have five rules for arguing on Facebook. 1: No sarcasm. 2: No personal attacks. 3: Be brief. 4: Keep your sense of humor. 5: Know when to quit.
It took me years to get a CD player. I had an enormous collection of vinyl culled from twenty years writing about music. I finally got the CD player because so many musicians weren’t issuing vinyl anymore. The first CD I got was a three-disc Duke Ellington collection, The Webster/Blanton Band. And then the horse was out of the barn and I got everything in CD, selling my vinyl collection for the ridiculous price of twenty-five cents a disc. The CDs were a poor excuse for albums because the reduced size had a huge effect on the art. I love album art. Look at the many books of just album art.
A lot of bands urge me to listen to their new tunes on download. Many bands are forgoing physical product altogether in favor of digital. This works for a lot of people, but not for me, and not for a lot of people I know. We’re collectors. We like to have an artifact we can hold in our hands, read the personnel and album notes, if any. Album notes provide astonishing information and if you don’t believe me, read the album notes for Tower of Power’s Dinosaur Tracks.
Most of these bands perform live. A lot of people would like to buy their albums, but are surprised when there are no albums. Directing your fans to a download, free or not, is not the same as selling records and CDs right at the venue, when they’re all keyed up. At the very least, bands must have CDs to sell at performances. Here in Fort Collins we have Bohemian Nights in August, hundreds of local bands performing for free. I pick up a lot of CDs at these things. Not only is it a good way to support the band, it’s a good way to remember what you heard.
Sure you can have an iPod with several thousand songs on it. But are they arranged like an album? There’s a reason for the song sequencing in albums like Sgt. Pepper, Jellyfish: Spilt Milk, Marco Joachim’s Hidden Symphonyies. The music industry has changed, and albums aren’t as important as they used to be, but my friends and I still listen to albums. Like the Who’s Tommy. You’re supposed to start at the beginning and follow the sequence.
Vinyl is back. Analog grooves simply produce a warmer sound than CDs, which are digitally mastered and digitally translated. Everything old is new again.
When that giant Chinese electro-magnetic pulse hits, a lot of you are gonna be SOL.
SMITTY AND ME
I first saw Paul Smith’s artwork on X-Men and was gob-smacked. Back in the day I wanted to work with every artist whom I admired. And there were a lot! Paul Smith is one of nature’s gentlemen. I was surprised to learn he was a fellow biker, and visited him several times at his garret in Santa Barbara, and later at his brother’s house. Paul had gone through several bikes before settling on BMW’s “Flying Brick,” and loaned me his Honda V45 for a memorable ride.
Of all the replacement artists who worked on Nexus, Smitty was the best ,(37, 38, 43, 44, 49, 51-55,) and “Kreed’s Arm” is his masterpiece. He also drew The Spirit, Starman, Sun Runners, and Leave It To Chance. His last comic book work was Kitty Pryde: Shadow and Flame, in 2006. Then he pulled a disappearing act.
I tried locating him for years. Several months ago, while visiting my partner Steve Rude, the Dude mentioned that Smitty had phoned him from his new home in Colorado. A little sleuthing tracked him to Colorado Springs, 120 miles south of my home in Fort Collins.
It has become a tradition to spend New Year’s Eve at my publisher’s house in Monument, five miles north of Colorado Springs. I asked my publisher if I could invite Smitty. Cool. My publisher’s house is impossible to find. Nevertheless, Smitty found it and there he was–older, grayer, but the same. Paul used to have bright ginger hair. It is now all white. We talked for hours and I reminded him of the time he loaned me a motorcycle and promised to return the favor. Paul is without a motorcycle for the first time in decades. I hope to see him on one of my projects soon.
His website is www.paulmartinsmith.com.